Eternal Sunshine of the Spotless Mind

Wow.

Yeah, that gets its own sentence, its own paragraph. What a fantastic film. Charlie Kaufman simply has a knack for writing unusual but wonderful screenplays and in Eternal Sunshine, just as in Adaptation, his writing is complimented with fantastic acting.

This film defies those who would insist on pigeon-holing it into either a plot-driven or a character-driven piece. It’s both and it’s neither; it’s really about something that is written so well between the lines that it is the lines. I sound like I’m trying to be profound, but I’m not. It is profound and I’m simply having trouble processing everything.

Kaufman floats the idea of a true love, but he contradicts that idea with a persistent lust of a kind that manifests itself almost identically. Even as I’m writing, other contrasts and comparisons are coming to mind. The entire movie is about points of view, perspectives and human nature.

Gaudry does a fantastic job of capturing things so etherreal as the mind and memory, and does an even better job of showing us what it might look like to have one’s memories erased. I was also impressed with the overlapping sets that are frequently utilized and the use of light as a sort of character in itself.

I expect Oscar nods for Kaufman, Carey, Winslet and possibly Michel Gondry and I look forward to Kaufman’s next screenplay.